As the third part of Tyneside Cinema’s ‘Screening Women’ season, the programmers dug up the little-known magical comedy, Bagdad Café. Simon Ramshaw went to see if it was a damn fine cup of coffee or a barren wasteland of emotion.
Gore Verbinski tackles the psychological horror genre, but is it what the doctor ordered? Tom Cooney takes a look at A Cure For Wellness.
How does a 1970s set feminist film fair in today’s highly political climate? Kotryna Kairyte reviews 20th Century Women.
It divided critics at 2016 Cannes Film Festival, but what does Ellen McCullough think of this Canadian-French morbid drama?
Dan Haygarth reviews whether this crime drama tastefully tackles the 2013 Boston Marathon bombing.
Fiona Cunningham checks out an awards season and let’s us know if it’s really as groundbreaking as it portrays itself
The Tyneside Cinema sure does love Scorsese; so much so that they held two sold-out screenings of his iconic neo-noir vigilante thriller Taxi Driver last week. Fellow ‘Marty’ enthusiast Joe Holloran reviews its influence on pop culture and De Niro’s thing for mirrors.
It’s the last step to the Oscars, and it’s hosted on our very own shores. That’s right, the BAFTAs are here, and Elizabeth Steele tells us what she thinks of the winners.
Cinema Politica took over Northern Stage last Friday, and showed the powerful documentary, Children 404. Alex Ridley went to find out what it was all about
Following up to the hugely popular first film, Simon Ramshaw tells us if this sequel lives up to expectations, or even exceeds them